
I had the pleasure of attending an AdaCamp for the second time last June and it was indeed awesome. As
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Sorry for the lack of an update yesterday, I fell asleep.
Or more like the last three days, though I spent most of the weekend with the Pacific Rim novelization and nursing a sudden fascination for Herc Hansen. The novel is not very well-written, but it satisfied that fannish craving for ALL THE DETAILS.
Hoping to get more done tomorrow, today I tried to catch up on sleep and then friends came to visit.
...Tens of thousands of virginal females. Want icon.
It has become commonplace for English-language studies about Japanese- and English-speaking fans of manga to mention that the Internet in general and social networking services (SNSs) in particular play a crucial role for the functioning of contemporary "transcultural" fan communities. DeviantART and pixiv, for instance, are two famous image-based SNSs that have become hubs for very active fan communities centered around the exchange of fannish visual media. Such services are not just convenient places to socialize and maintain fan communities, but also distribution systems whose functionality is geared exactly towards what fans want to do with the works they create: share them, and have them appreciated and talked about by other fans.
Several recent studies have focused on how fans use SNSs as communication hubs or as distribution platforms. However, it may be misleading to present these two functions as wholly separate, as no more than the “Internet versions” of pre-digital forms of communication and distribution. Research on the nature and effects of interactions around media on SNSs shows that the “digital conversations” that take place on SNSs have their own particular characteristics that influence what can be said, who can say it, and what the results of the conversation can be. These characteristics profoundly influence not just the interpretations of media distributed through these services, but also the very content of the media themselves.
In this chapter, I make a first attempt at clarifying the complex ways in which the particular nature of digital conversations (boyd and Heer 2006) works to influence fannish interactions on SNSs, with a special focus on how these digital conversations on SNSs help or hinder transcultural interactions between Japanese- and English-speaking fans of manga, comics and other media. I conduct a comparative case study of digital conversations around a particular kind of fanwork that is often distributed and discussed through SNSs: fan-created comics and manga (also called doujinshi). More specifically, I focus on "Harry Potter"-based fan-created comics and manga distributed via deviantART and pixiv.
As reported by Anime News Network and others, Japanese animation studio TRIGGER's Kickstarter campaign to make a sequel episode to their Little Witch Academia OAV met its goal of $150.000 in less than five hours. The Kickstarter is at $285.000 right now, with a whopping 28 days still left to go.
( Read more... )Hi! Sorry about the months of silence, I hope everyone's doing well... Dreamwidth seems quiet these days. More soon about the ten million things I've been busy with. First though, a crosspost of a quick analysis thing I wrote for Fanhackers about Amazon's new great idea. The tone of this post is restrained because Fanhackers is not a private soapbox, but my personal objections to the idea of Amazon trying to revolutionize fanfic distribution are, um, extreme.
PaidContent reports that in June this year, Amazon will be launching Kindle Worlds, a legal publishing platform for fanfic. According to Amazon's announcement, Kindle Worlds will start out by allowing fanfic based on Gossip Girl, Pretty Little Liars, and The Vampire Diaries.
It's not necessarily bad news that companies are trying to create options for "licensed" fanfic, and I'll leave the in-depth analysis of the legal aspects of this to professionals. Legal issues aside, though, I certainly hope that Kindle Worlds won't become a model for other attempts to legalize fanfic. This concept seems to repeat a lot of fan-unfriendly aspects of previous forays by companies into the weird world of fic monetization. Kindle Worlds would allow fic authors to sell works "without hassle", as PaidContent says, but apparently also without many rights, and within the boundaries of extremely strict content guidelines.Similar changes are eroding literary publication as direct electronic publication by authors on the Internet has led to erotic and reportedly pornographic works like Fifty Shades of Grey and spinoffs sweeping bestsellers lists for months. The issue is not whether erotica or pornography is or should be popular; rather, one wonders what literary work might have filled those slots on the bestsellers lists if traditional mechanisms of editor-evaluated publication had been applied, which consider more than simply the potential popularity of a work in deciding what to publish.