Presented this yesterday at a workshop on Japanese pop culture for grad students. It’s a quick intro to dojinshi exchange as a “hybrid economy” of market and gift economies, and an argument that dojinshi exchange is a very promising business model to allow fans and professional creators to cooperate - a business model that the Japanese government would do well to promote, rather than jumping on Hollywood’s rah-rah-copyright bandwagon like it’s doing at the moment. (Bigger version here)
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