Jul. 11th, 2011

unjapanologist: (hey ozai)
Two articles recently accepted for publication/presentation: "Why we should talk about commodifying fan work" will appear in Transformative Works and Cultures in November, and "Open source production as a model for commodification of derivative works" will be presented at the Asian Workshop on Cultural Economics, which is organized by the the Association of Cultural Economics Japan and takes place on November 27-28 this year, in Kyoto.

As the titles suggest, these two are very closely related, and I'm thrilled that they can be published more or less together. The TWC piece is the tl;dr version of the post I did yesterday about Keith Mander, and the open source paper is the even more tl;dr version of a footnote attached to the TWC piece. Both talk about the cultural economy of fanwork, but since each is written for a different crowd (fan studies people and cultural economics people), they have a somewhat different focus. The TWC text argues that commodification of fanworks may be inevitable, and why this could be a good thing for fandom. The open source text is basically a thinking exercise/tentative proposal about how "derivative" works such as fanworks could be commodified in practice, based on principles associated with open source production.

Abstracts:

Read more... )

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